step in stone – Salisbury Art Centre 18 Aug – 24 Sept

We are gearing up to our exhibition at Salisbury Art Centre starting next week.  It runs Thursday 18th August-Saturday 24th September, open Tuesdays-Saturdays, 10am-3pm. Our Private View is on Friday 19th August 6-8pm – please come along if you are in the area!

As part of the exhibition, there will be a located GPS-triggered poetic audio-walk ‘ANTICLINE’ by Ralph Hoyte around the grounds of Salisbury Arts Centre.  To access it, visit this link, and download onto your personal smartphone.

 

step in stone launch coming soon!
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Exhibitions


Box Office: 01722 321744
www.salisburyartscentre.co.uk

Image: Suzie Gutteridge

Launch: Friday 19 August, 6 – 8pm

Exhibition runs: Thursday 18 August – Saturday 24 September


This exhibition tells the story of a unique event held last summer in the South West.  Fourteen artists, all with connections to South West England (including two from Wiltshire) but from as far afield as Norway and Australia, created a collaborative and multidisciplinary series of site-specific artworks that fused art and the natural landscape in response to the nature of quarries and their place in the environmental, cultural and industrial heritage of the region.

The pieces were installed in six venues (three disused and working quarries and three related indoor exhibitions), and staged in three “steps”, the quarries’ natural history, ecology and geology inspired works in surprising forms. Aiming to link culture and the environment, the extraordinary artscapes gave over 8000 visitors a free opportunity to encounter contemporary artworks while exploring the spectacular, wild landscapes of abandoned and working quarries in rural East Mendip.

‘step in stone’ really engaged audiences, encouraging them to consider the environment around them, our place in it, how it evolves, the benefit we get from it, our impacts upon it and how nature responds and reasserts itself. It engaged a whole spectrum of the public, including school children, families and the elderly, many who had never visited these interesting spaces.

Exhibiting artists include Artmusic, Catherine Bloomfield, Bronwen Bradshaw, Duncan Cameron, Fiona Campbell, Duncan Elliott, Tessa Farmer, Stuart Frost, Suzie Gutteridge, Ralph Hoyte, Sally Kidall, Caroline Sharp, Amanda Wallwork and Christina White

We’d love you to join us for the launch event on Friday 19 August from 6 – 8pm

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GREAT HOVERING ROCKS!

UPDATE before the Bank Holiday (!)

ANTICLINE: GPS-triggered soundscape for Westdown Quarry (now running). This work can be downloaded free from my website (all instructions for downloading and use are HERE!)

SYNCLINE: array of 6 autonomous megaphones beaming audio content into The Amphitheatre at Fairy Cave Quarry (work-in-progress)

PERICLINE: sonic audio-art gallery piece for the Black Swan, Frome: this is the third piece in the triptych of audioworks for Step in Stone; it’s now in its final stages:

Maquette1 - signed

Very many thanks to great guy Charles Clapham, Workshop Supervisor for the School of Earth Sciences, Bristol University. I rang him up out of the blue with my strange artistic request to create rock core samples out of the Fairy Cave Quarry rock so I could animate them and he said, “bring’em in!” “When?”, I asked. “Now,” he said. Two weeks later he rang me up – he’d made two 25mm cores out of the rock. Thanks to Bristol Uni!

maquette2

[Ralph Hoyte working with Phill Phelps]

Westdown Figure of Eight

[Ralph Hoyte} Forgot to take map of figure-of-eight walk when last visited Westdown Quarry. Blue GPS track is my route, picture below is the actual figure-of-eight. I’ll probably use Appfurnace software to configure the GPS-triggered walkscape. Users will need to download Appfurnace onto their smartphone. You then scan a QR code in (which will be made available to you somehow, possibly people will have to register with me, then I can send it to them). When you encounter a virtual pool of content, you will be able to listen to it on your iPhone or Google Android smartphone. No, no network signal is required, just a GPS fix, which your phone will do automatically.

Westdown - figure of eight

 

Ralph Hoyte  5/5/15

PERICLES vaulted the PERICLINE

Talker to my brother in law – a geologist – yesterday whilst out on a bike ride (interrupted to drop in to their flat)(thanks for the sherry and crisps! That’s what I call ‘a bike ride’!). He said ‘PERICLINE’ was a word. Indeed it is:

The Mendips are an example of anticlinal folds, recognised on geological maps by a concentric outcrop pattern with the oldest rocks at the core. The distinctively shaped variety of anticline that forms each of the Mendip Hills is known as a pericline.

So that’s it: Syncline / Anticline / Pericline

More: BGS

Ralph Hoyte  27/4/15

A TRIPTYCH: SYNCLINE – ANTICLINE – PROCLINE

[Ralph Hoyte posts] I am a Bristol-based poet, writer and producer of GPS-triggered locative media. I deal in the live voice – mine, or multi-voice set-ups, set, er, somewhere, somehow. I write, sometimes, ‘poetry’ (whatever that is), more often, ‘poem-scripts’, often heavily research/historically/cultural-historically-based. I deliver them  live, or through ‘locative media for the smartphone’, or through any other means to hand (such as Raspberry Pi powered sculptures responding to user input through touch or light). I often work closely with Phill Phelps, coder and audio-engineer, on the  technical aspects of such projects.

For step in stone I am working on a triptych of sound interventions which all feed off the same poemscript; SYNCLINE , ANTICLINE, AND PROCLINE.

SYNCLINE

megaphone1

come in numero 82 your time is up: the different bits of the autonomous megaphone assemblage

The poemscript is recorded (2 or 3 voices, probably my voice and 1 or 2 synthesized voices), placed on an SD card inserted into a mini-mp3 player circuit board, played back through a megaphone (it’s waterproof), whole thing driven by, essentially, a motorbike battery. There are 5 or 6 such autonomous assemblages. They are hung off the edges of the cliffs in ‘The Amphitheatre’. Each unit has a different ‘personality’. The SD card is loaded with poemtext, possibly ambient, and … silence. At any one time you get poemtext, ambient, or silence. Six of these doing that, each with its different personality, creates the soundwalk as you perambulate around the floor of the Amphitheatre (keeping well away from the walls!). I like serendipity. There will also be a nightwalk.

Fairy Cave Quarry - speaker locations general 1

‘The Amphitheatre’ at Fairy Cave Quarryquarry - ampitheatre

 

 

 

 

 

ANTICLINEWestdown map

A GPS-triggered soundwalk for the smartphone:  ‘pools of sound’ are virtually placed along the ‘figure-of-eight’ walk around Westdown Quarry (think that man on the TV add who stumbled across a red circle on the ground: when he stepped into it, he heard music, when he stepped out of it, it stopped. Remove the red circle. That’s it)   You download the app, go to Westdown and turn it on. When your phone encounters a pool of sound you’ll hear the audio for that ‘virtual red circle’ (and, no, it doesn’t need a network signal). Of course, it’s  more elaborate than that ‘red circle’ scenario: you can make the audio in the soundpools do different things; you can also, interestingly, ‘stack-up’ the soundpools, or overlap them. Who knows what happens when you overlayer 3 zones?

PROCLINE

leaflet blurb - final copy2

‘A haptic audio-device’ for the Canal & Rivers Trust

For starters, the word ‘procline’ doesn’t really exist (see, WordPress underlined it in red. It doesn’t exist), and, if it did, it’s not, unlike ‘syncline’ and ‘anticline’, a geological word. Never mind. Maybe I’ll rename them ‘syncline’, ‘synform’ and ‘syntax’. Whatever it’s called, PROCLINE is  going to be a gallery-piece consisting of (probably) a geological specimen drawer thing with 3 drawers. When you pull out Drawer 1,  audio channel 1 is activated; ditto 2, ditto 3. What you hear of the common poemscript depends on how many drawers you’ve pulled out/pushed back in, and in what order. To add another layer of serendipity,we may programme it so  the audio-files associated with each drawer are chosen by the mini-computer driving the whole thing. In the drawers may be … stuff, resonating with the quarries. So it’s visual and tactile and user-directed.