step in stone tours to Salisbury Art Centre

Great news – we will be exhibiting a selection of step in stone artwork by all 14 artists this summer at Salisbury Art Centre, Wiltshire:

The exhibition runs from 18 August – 24 September.  Private View Friday 19th August, 6-8pm.

This exhibition tells the story of a unique event held in the summer/autumn of 2015. Fourteen artists, all with connections to South West England including two from Wiltshire and from as far afield as Norway and Australia, created a series of site-specific artworks in response to the nature of quarries and their place in the environmental, cultural and industrial heritage of the region. 

Exhibiting artists: Artmusic, Catherine Bloomfield, Bronwen Bradshaw, Duncan Cameron, Fiona Campbell, Duncan Elliot, Tessa Farmer, Stuart Frost, Suzie Gutteridge, Ralph Hoyte, Sally Kidall, Caroline Sharp, Amanda Wallwork, Christina White.

If you missed some of our venues last year, now’s your chance to visit us in Wiltshire!

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step in stone souvenirs!

Catalogues and Maps for sale as momentos!

If you would like a momento of step in stone,  you can buy one of our limited edition catalogues (£4 + postage) or limited edition giclee print map, specially designed for the project  by Joanna Martin (£30 + postage) please contact: fionacampbell-art@sky.com or 07515537224

CATALOGUE

Spread CoverSpread PartnersSpread SISSpread ArtmusicSpread Cath BSpread BronwenSpread Duncan CSpread FionaSpread Duncan ESpread TessaSpread Stuart FSpread Suzie GSpread RalphSpread Sally KSpread Caroline SSpread AmandaSpread Christina WSpread Design Comp

MAP

NB: the watermark is not on the actual print!

MAP Master 11-06-15 resized 33.5mm

Final weekend coming up!

Drawing to a close this weekend, we have been staggered by the large number of people coming to our 6 venues, taking part in our events and wonderful feedback from visitors of all ages, local to international.  Last weekend over 300 people visited the magical Fairy Cave Quarry venue!   Family Day was a fantastic success – really special, so many enthusiastic children, grown ups and in-betweenies enjoying the ambiance and art at Fairy Cave.  Activities included Scavenger Hunt, Rubbings, Interpretation sheets, Clay pressings, Game of Stones and Photograms with Christina White.  Cavers, climbers, artists, walkers, people from Bristol, Taunton, London, France, Uganda and Spain have visited.  For Artmusic’s Blast performances a live trumpeter ambled among the visitors, echoing around the quarry.

Thanks to Duncan Simey, Sally Barnett , Crysse Morrison, Duncan Cameron, Sally Kidall, Emma Warren  and Chris Lee for some of the photographs:

Stode students looking at Fiona Campbell's 'Eviscerated Earth'Eviscerated Earth - Fiona CampbellChris Lee's pic DSC_2437 Finale Preview eve at BSA, step in stone Sarah - cleaner _DSC1954 _DSC1984 _DSC1996 _DSC2002 IMG_0943 IMG_0966 IMG_0976 IMG_0979 IMG_0980IMG_0765 IMG_0988Sally Kidall's work at Fairy Cave QuarryArtmusic at Fairy Cave QuarrySuzie Gutteridge at Fairy Cave Quarry Christina White at Fairy Cave Quarry Sally Kidall's work at Fairy Cave QuarryFiona Campbell's work at Fairy Cave Quarry Bronwen Bradshaw's work at Fairy Cave QuarryCatherine Bloomfield at Fairy Cave Quarry

It’s been a hectic time for all involved, but we all feel hugely encouraged by the positive responses.

Comments from visitors include:

In many years of visiting art events, I have never experienced anything as fascinating and inspiring as my visits to quarries today – especially this one.” (Fairy Cave Quarry)

“Had a lovely day with the boys exploring, was great to combine being outdoors with some interesting art..”

“Inspiring and fun – creativity thrived in the kids as a result”

“A wonderfully different experience”

“Wonderful – best art gallery I’ve ever been to”

“Unique and surprising”

“Spent a fascinating afternoon at Halecombe and Westdown/Asham quarries. It was a treat for the senses and a revelation about the environments on our doorstep. Thank you!”

step in stone’s final set of workshops have begun: Wirework with me, Wet Felting with Suzie Gutteridge, both at Black Swan Arts, Clay and Plaster Relief Tiles with Duncan Cameron at Somerset Earth Science Centre. Several schools are taking part again – All Hallows Prep School did Perambulatory Poetry at Fairy Cave Quarry with Ralph Hoyte, who also led an awesome night walk yesterday, and Robert Blake students made pinhole cameras with Christina White today. Tessa Farmer is giving insights into her work through Talks in the next couple of days.

“I love the way the fourteen different artists have all been inspired to respond to various aspects of quarries in so many different and interesting ways.” Nick Weaver – partner in the project.

This weekend (17-18 October) gives the public a last chance to explore the magical Fairy Cave quarry, normally gated, so don’t miss it!

 

Fiona Campbell  14/10/15

 

GREAT HOVERING ROCKS!

UPDATE before the Bank Holiday (!)

ANTICLINE: GPS-triggered soundscape for Westdown Quarry (now running). This work can be downloaded free from my website (all instructions for downloading and use are HERE!)

SYNCLINE: array of 6 autonomous megaphones beaming audio content into The Amphitheatre at Fairy Cave Quarry (work-in-progress)

PERICLINE: sonic audio-art gallery piece for the Black Swan, Frome: this is the third piece in the triptych of audioworks for Step in Stone; it’s now in its final stages:

Maquette1 - signed

Very many thanks to great guy Charles Clapham, Workshop Supervisor for the School of Earth Sciences, Bristol University. I rang him up out of the blue with my strange artistic request to create rock core samples out of the Fairy Cave Quarry rock so I could animate them and he said, “bring’em in!” “When?”, I asked. “Now,” he said. Two weeks later he rang me up – he’d made two 25mm cores out of the rock. Thanks to Bristol Uni!

maquette2

[Ralph Hoyte working with Phill Phelps]

Step 2 Installation and Opening week

It’s been an incredible fortnight, unleashing inner reserves of energy I didn’t know I had, and thank goodness for the unyielding patience and support of partner Nick Weaver, helping to pull off the installation of Step 2 while finishing off artwork, getting signage done for 2 venues and co-ordinating it all…  Halecombe and Westdown quarries are now open daily for all to visit – see Duncan Simey’s wonderful selection of pics from a very rainy Friday.  Jack Offord filmed us for the documentary – looking forward to seeing the results of that on our Preview evening of 2nd October at Black Swan.

Below is a selection from our Step 2 installation days and a couple of photoshoots by Duncan Simey taken since.

WESTDOWN:

step in stoneInstallation day at Westdown QuarryInstallation day at Westdown QuarryInstallation day at Westdown QuarryInstallation day at Westdown QuarryInstallation day at Westdown QuarryInstallation day at Westdown QuarryInstallation day at Westdown QuarryInstallation day at Westdown QuarryInstallation day at Westdown QuarryInstallation day at Westdown Quarrystep in stonestep in stone

HALECOMBE:

IMG_0622

And some of our finished work:

WESTDOWN:

step in stonestep in stonestep in stone

step in stoneBunker circa 1970's Westdown Quarry grid ref ST717456 pigment inks on Somerset enhanced paper

Installations at Westdown Quarrystep in stone

Installations at Westdown Quarry

HALECOMBE:

step in stoneInstallation day at Westdown Quarry

Installation day at Westdown QuarryInstallation day at Westdown Quarry

My main pieces are the ones with long colourful tentacles, based on crinoids (see earlier post about the making process)!  Sadly a heavy steel spring (a small component of my work) went missing and other parts tampered with at Westdown the first weekend – if anybody spots this lurking in the bushes there, do contact me, it might be from my work!

The past week has been filled with our workshops, guided walks and talks, held at SESC, Westdown and Halecombe Quarries.  The guided walks, in collaboration with Rosie and Pippa from Somerset Wildlife Trust, have been really well attended, and workshop participants of all ages have explored a range of creative approaches related to artists’ work and the project.  Thanks to our wonderfully inspiring workshop leaders (Bron, Tanya, Christina, Suzie), all seemed to thoroughly enjoy the experience!   Sally’s talk was much appreciated and I did a talk for 27 Active Living members, who were enthralled.

IMG_0718 IMG_0714DSC_0002 DSC_0019IMG_0698 IMG_0690 IMG_0699 IMG_0702  IMG_0752 Installations at Somerset Earth Sciences CentreIMG_0803 IMG_0823

Last week culminated in a very inspirational performance at Westdown/Asham: Artmusic’s ‘ECHO’ sculpture and sound installation on Saturday 22nd Aug was animated by live performances of Artmusic’s ‘BLAST’ – a theatrical response to the rock and mechanics of quarrying, with specially composed trumpet music being played from locations which echoed around the quarry.  We had a great turn out and the audience seemed to really enjoy the unique show and setting. “A delightful melange of live and recorded fluttering trumpets grab our attention this way and that while butterflies flit among the stones…. As they move slowly up the valley from stone to stone, always edging closer to melody, we begin to follow, or not, or meander above and below. ..”  Caroline Radcliffe

People brought picnics, dogs, cameras, sketchbooks and the sun was scorching all day!

IMG_0775 Artmusic's BLAST at Westdown QuarryIMG_0778 DSCF2039 DSCF2071 DSCF2078 Artmusic's BLAST, trumpeter John Plaxton (photo Rupert Kirkham) Artmusic's BLAST, trumpeter Jack Vincent (photo Rupert Kirkham)

Can’t wait to download Ralph Hoyte’s GPS Soundwalk ‘ANTICLINE‘ – now available for your smartphone before visiting Westdown.

step in stone

Hope you can visit soon!

Fiona Campbell  24/8/15

phreatic obfuscations

“The morning’s baldness dissected the straight line of horizon. He raised his head and saw the arc of the bitter flight as petrels sheered out of the Atlantic on the tilt of the crystalline plane; and the waters streamed off it down to an infinity where Choughs ran red-legged and inchoate in their golden, golden cage. He swerved his gaze: landwards! And the sea hauled him back: come rest in my bosom, come suck and gnaw with me at the stubborn land. Then all will be sea and all will be sea and all will be at sea; and all will have returned, free as dolphins who, so many aeons ago, faced the same choice and chose. Can we say we chose right?”

(from ANTICLINE – GPS-triggered located smartphone work for Westdown Quarry)

Sometimes I think ‘hey, you’re supposed to be a poet – so what’s with all this digi-stuff???’

screenshot1

Currently laying out GPS-triggered walk-poem ANTICLINE thru’ Westdown Quarry (goes live 15 Aug). This involves:

  • writing the poem-text
  • recording the poem-text (main voice: me; other voices: synthesized)
  • editing the recordings (in Audacity or Ableton Live)
  • processing the recordings in Ableton Live (above screenshot left of screen)
  • converting the recordings to mp3s (takes up less space in app)
  • composing the final mp3 soundfiles into the landscape (ie configuring the experience-design taking topographical considerations and features into account, as well as how long it should take an average walker to walk across a sound-region. In this case the mediascape is linear, which means it must ‘make sense’ both ways – there, and back)
  • testing the simulation in-house
  • testing on-site
  • lots of swearing

The actual process is fascinating and can get obsessive: instead of composing onto a scoresheet, or even by feel, you’re composing into a real landscape: you’re overlaying a virtual soundworld onto a real place which can only be heard in that place – nowhere else on earth. You have to decide whether there are scattered soundpools which have to be ‘hunted’, or whether it’s a continuous experience (in this case it’s continuous); you have (as above) to consider how long an average person will take to walk through the soundpool; that they may not walk thru’ it at all, but simply stop and listen until it finishes (how does this affect the experience?); whether to loop the tracks – which leads to one kind of experience; or simply play them once only; are they to be programmed enter/play/keep playing on departure, or enter/play/fade out (or stop) on departure/start again at same place  on re-entry/start at beginning again on re-entry? What sounds do you want to place on which topographical features? What sounds are there there already? Do soundpools overlap, and if so, what does it sound like?

RALPH HOYTE 29 July 2015

All Hail Effluvia

RALPH HOYTE: Battened down the hatches and got seriously down to the actual act of creation this week (impending deadlines always help inspiration, of course). I’m creating SYNCLINE in Fairy Cave Quarry with my frequent collaborator Phill Phelps (audio engineer, coder, musician). It all started with me saying to Phill, ‘hey, how about hanging autonomous speaker units off the rim of the cliffs and beaming sound into the quarry?’ (see earlier entries).

Fairy Cave Quarry - speaker locations general 1

So far we’ve bought most of the gubbins: 6 megaphones (more waterproof than conventional speakers, being made of metal), the mp3 player circuit boards, the wiring etc. We’re waiting on the bike batteries to drive the things – held up in China, I believe.

So much for the hardware. The software, in this case, is the poemscripts I’m writing. ‘Poemscripts’? The technology, that is to say the form, decides the content. Let’s say I wrote a conventional poem and simply divided it into 6 parts, or voices. You’d have 6 voices possibly overlapping each other. This would be mere cacophony. So the point is, how to compose for 6 ‘voices’ in this setting. I decided to set up 6 buckets, theme them, then simply dump all material pertaining to that theme into that bucket. Current buckets are:

  1. Fluid (refers to the nature of the material, not a description of the content. The voice is fluid)
  2. Geology
  3. Intelligence (on themes of ‘what is intelligence’)
  4. Lists (of relevance to the two quarries)
  5. Oracle (oracles lived in caves and prophesised)
  6. Quarries (related to these particular quarries)

No human voices were abused in the making of this work. They are all synthesised. Each ‘theme’ has a synthesized voice. The synthesised voices were virtually auditioned (which led to some rather amusing conversations, e.g.: Ralph: where’s Ana? Phill: she’s downloading. Ralph: tell her to get a move on, we haven’t got all night! Phill: OK, she’s downloaded – but whatiszname … Ralph: Oliver, English Oliver – Phill: he needs upgrading, that’s the old voice, let me get his updated voice…)

So far we’ve got:

  • Veena: Indian, female: lists
  • Moira: Irish, female:
  • Kate: English RP: geology
  • Alice (a-lee-che): Italian, female: Latin & intelligence
  • Susan: American: fluid
  • Chantal: French: quarries
  • Oliver: Standard English: Oracle1
  • Alex: American, female: Oracle2
  • Fiona: Scottish: possible fluid
  • Kyoko: standby

Each quarry/medium of delivery demands a different mix. SYNCLINE in Fairy Cave is fractured, often broken, gnostic, hermeneutic. Not only do we have a quarry, where things which were not meant (!) to be seen lie exposed to the sun, the air, the gaze; also things here were smashed up, pulverized, blown apart, make up our roads, we drive Mercedes GLA45 AMG 4MATIC’s on them; but also: SYNCLINE – the earth in her groanings moved, she fractured the rocks, they were made molten, or lay flat and serene whilst the millennia snowed calcium on them. So the words are fractured, groaning, the millennia have sowed inconformity in them, things have intruded on their reverie, the notes are incongruous, scatty, effluvial…

Delivery is ‘in progress’. The mp3 readers are just … mp3 readers, They don’t do fancy stuff, they just read file1, read file2, read file3. So we sow ‘blank’ (silent) files in amongst them. The amount of silence depends on the nature of the voice. So Veena, for example, takes 8 hours to finish her list, and only then loops. Susan is more vocal. But we have to sow enough silence in amongst the files so that the chances of cacophony are small (but cacophony is sometimes good). Then we simulated on Ableton Live. Then we turned some down so you get the effect of the megaphone nearest you is loudest (of course), and the others are at various distances (which they will be, depending on where they are aimed). Then we considered the level of each, so we’d know how close you have to get to a megaphone to hear it. Then we put an echo on some. Then we decided we were tired and there were too many variables to code, so we went and cooked supper and drank cider.

ANTICLINE in Westdown is for a different media: GPS triggered smartphone media. So people will walk through the quarryscape. Will you expect ‘a story’. Maybe you’ll get one, maybe Discobolous will eject his head from the bedrock and stagger forth. I don’t know, I’m currently writing it, I don’t know what he’ll want to do, say. Maybe nothing.  Voices? They haven’t spoken, yet.

 

Ralph Hoyte  16/7/15

In the spotlight at Big Green Week’s Hub, Bristol

We had a fun day out in Bristol yesterday speaking publicly about step in stone at the Hub for Bristols’ Big Green Week.  Christina, Ralph, Fiona, Nick and Charlotte (our young sculpture design competition winner) took to the platform – a symbolic BGW green chair draped with examples of our work – to explain our forthcoming project to a drop-in audience.  Ralph treated us all to a snippet of his new poetic soundwalk – due to be located in the quarries.  The Hub is sited in the city centre near the cascade steps, so plenty of people stopped by, some listening throughout, and a few asking questions about the concept.  Jack Offord, our film maker came along and took some excellent pics.

Ralph trumpeting step in stone BGW Photo Jack OffordFiona speaking step in stone BGW Photo Jack OffordRalph, Christina step in stone BGW Photo Jack OffordRalph step in stone BGW Photo Jack OffordNick step in stone BGW Photo Jack OffordChristina step in stone BGW Photo Jack Offordstep in stone signed big Green Chair BGW Photo Jack OffordCharlotte McKeown - our young sculpture design winner

Later the same day, we met up with radio presenter Martin Evans (BBC Bristol and Somerset), who interviewed us for a pre-record – due to be broadcast nearer our opening week at the beginning of July.

step in stone - Fiona interview with Martin Evans - Photographer Jack Offordstep in stone - Christina interview with Martin Evans - Photographer Jack Offordstep in stone - Ralph interview with Martin Evans - Photographer Jack Offordstep in stone - Charlotte interview with Martin Evans - Photographer Jack Offordstep in stone - group interview with Martin Evans - Photographer Jack Offordstep in stone - group photo with Martin Evans - Photographer Jack Offord

Westdown Figure of Eight

[Ralph Hoyte} Forgot to take map of figure-of-eight walk when last visited Westdown Quarry. Blue GPS track is my route, picture below is the actual figure-of-eight. I’ll probably use Appfurnace software to configure the GPS-triggered walkscape. Users will need to download Appfurnace onto their smartphone. You then scan a QR code in (which will be made available to you somehow, possibly people will have to register with me, then I can send it to them). When you encounter a virtual pool of content, you will be able to listen to it on your iPhone or Google Android smartphone. No, no network signal is required, just a GPS fix, which your phone will do automatically.

Westdown - figure of eight

 

Ralph Hoyte  5/5/15