Getting stuck in to two large pieces for the fist installation of step in stone at the Somerset Earth Science Centre at Moon’s Hill Quarry at the end of the month.
The first of which is a piece I call “The Age of Stone” after Rodin’s “The Age of Bronze”.
I don’t see what I do as being contemporary art. It’s conception is far to connected to the hunter-gatherer experience, seeing movement in stone and seeking to animate, and too closely involved in re-imagining classical sculpture to want to be tied down to post Duchamp perspectives.
However there are times when the contemporary perspective really ties in to the conversation I am having through my practice. With “The Age of Stone” I am really wanting to highlight geological timescale and the extraordinary perspective that the understanding of deep time has on our experience of the world. I find that in an era of fundamentalism I am using the fundament to talk about my fundamentals. The fundamental in this case being that if we look and really examine the world around us it reveals to us it’s history in an intricate and entirely cohesive way. We can see that these limestone rocks that we walk on every day were formed from the bodies of sea creatures. Because the Calcium in bones and shells is in fact a metal, we can examine the magnetic signatures created as the rocks were formed that reveal their location at that time within the earth’s magnetic field, we can date their formation from the organic chemistry within the life that became rock. We find that we can build up a picture from the bedrock, from the fundament that dwarfs the biblical story in every respect. Every rock. every stone on the planet is interconnected in this same story, of a planet that created this life from itself.
What a great opportunity step of stone has given me to exhibit “The Age of Stone” in the context of Moon’s Hill Quarry and the Somerset Earth Science Centre.
Duncan Elliott 1/6/15